The 1974 ABC Movie of the Week production built its climactic road danger around two unusually hazardous stunt shots. According to producer Howie Horwitz, stunt drivers actually remained inside their vehicles while driving off the roadway and down steep slopes, recreating the film’s fictional mountain-road crashes rather than relying entirely on miniature work or conventional cutaways. The sequence was designed to make Sheriff Roy Childress’s murderous pursuit of hot-rodder Michael McCord feel genuinely perilous.
Cinematographer Terry Meade later described an especially costly piece of the setup. One shot was initially planned with a cameraman positioned below the road to capture the vehicle plunging downslope, but Meade replaced the operator with a remotely controlled camera because of the danger. The precaution protected the cameraman, but not the equipment: the stunt car struck and destroyed the remote camera. No performer’s injury is reported in the account, yet the incident illustrates the hazardous practical-stunt methods still used in 1970s television filmmaking, particularly for made-for-TV action productions that sought the visceral impact of a real car leaving a mountain road.
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