Before Dog Day Afternoon became one of Al Pacino’s defining performances, the actor repeatedly tried to escape the role. Pacino initially agreed to play Sonny Wortzik after producer Martin Bregman brought him together with director Sidney Lumet in London, but he backed out and even expressed interest in returning to the theater. He accepted again, rejected the project a second time, and then withdrew for a third time. Bregman attributed the turmoil to Pacino’s method-acting process and his reluctance to enter what he described as a psychologically difficult world; Pacino later blamed stress, drinking, and the need for a life outside work. Lumet also recognized that Sonny’s chaotic personality placed unusual pressure on the actor. Pacino eventually returned, but he still fought to reshape the material. He asked Pierson and Lumet to tone down Sonny’s behavior and resisted a planned kiss between Sonny and Leon, played by Chris Sarandon, arguing that the scene would exploit the characters’ sexuality. The kiss was replaced by a telephone conversation, a change welcomed by the National Gay Task Force as more sensitive. Pacino’s hesitation did not derail the production—filming finished three weeks ahead of schedule—but it revealed how personally and artistically hazardous the part initially seemed to him.
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