Screenwriter and filmmaker William Richert launched a public dispute over The American President, suing the Writers Guild of America and claiming that Aaron Sorkin’s screenplay was a thinly veiled plagiarism of his own 1981 script, The President Elopes. Richert pressed the contention that substantial plot beats and the central conceit were lifted, and he even alleged that Sorkin’s later television juggernaut, The West Wing, derived material from the same source. The WGA’s internal arbitration settled the immediate credit fight in Sorkin’s favor — he was awarded full screenplay credit on the released film — but the row left a trail of resentment and public accusations that dogged discussions of authorship around Sorkin’s early work. The disagreement highlighted how arbitration and guild processes, rather than open courtroom rulings, frequently resolve screenplay credit battles in Hollywood.
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