Arthur Freed, the powerful MGM lyricist-turned-producer who shepherded the studio’s great musicals of the 1940s and 1950s, was accused decades after his death of using that power to commit sexual misconduct. In her 1988 autobiography—and again on Larry King Live on October 25, 1988—Shirley Temple wrote that in 1940, when she was 12 and being interviewed about a possible move to MGM, the then-46-year-old Freed allegedly unzipped his trousers and exposed himself to her. Temple recounted that, being innocent of male anatomy, she giggled and Freed threw her out of his office; she also later wrote that Louis B. Mayer was in an adjacent room and sexually propositioned her mother during the same meeting. Temple says these incidents prompted her to turn down MGM after only one film and return to 20th Century Fox. The episode was noted in mainstream obituaries (including The New York Times) when Temple’s life was summarized, making it part of the public record rather than mere backstage rumor.
The revelations did not end with Temple. In 2017 dancer-actress Barrie Chase went on the record describing inappropriate conduct by Freed during the mid-1950s, adding a second, independent account that has complicated Freed’s legacy. Freed himself died of a heart attack in 1973, long before these allegations became widely known; there was no public prosecution, and much of the abuse-of-power element is rooted in testimony and memoir rather than court findings. Historically, the claims have forced a re-evaluation of Freed’s career: he remains credited with transforming MGM’s musical output and winning Best Picture Oscars for An American in Paris (1951) and Gigi (1958), but the later disclosures have joined a broader reckoning with predatory behavior by influential studio executives during Hollywood’s Golden Age.
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