Terrence Malick's 1973 debut was made on an exceptionally lean budget of roughly $300,000, with a non-union crew and a production process that many collaborators found unconventional. The instability became physically dangerous during the filming of the scene in which Kit and Holly stage a house fire: an explosion occurred on set and severely injured one crew member. The available production account does not identify the injured worker or provide the precise medical aftermath, but the accident remains the film's clearest documented set disaster. The production was also marked by serious clashes between Malick and members of his crew. Cinematographer Brian Probyn quit in mid-shoot after objecting to Malick's unorthodox methods, and Tak Fujimoto subsequently took over before Stevan Larner completed the film. Despite the rotating cinematographers and the accident, producer Edward R. Pressman later marveled that the finished picture looked remarkably seamless. The film's eerie, dreamlike treatment of violence therefore emerged from a production that was itself unusually precarious, improvisational, and at times hazardous.
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