Jeremy Kagan’s adaptation of Chaim Potok’s novel encountered resistance from the very Hasidic communities it depicted. According to Kagan, the production could not persuade anyone from the most orthodox Hasidic groups to portray Reuven Malter or Danny Saunders, the two Jewish teenagers at the center of the story. The opposition went beyond private disapproval: some Hasidim placed advertisements in Yiddish-language newspapers urging members of the community not to participate in the film at all. The controversy reflected the religious and cultural tensions dramatized by the movie itself, particularly the conflict between Hasidic tradition and the more modern, Zionist outlook represented by Reuven’s family. Although the film was ultimately completed with non-Hasidic performers and went on to win the Grand Prix of the Americas at the 1981 Montreal World Film Festival, the community boycott remained one of its most revealing behind-the-scenes complications.
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