Before Aliens reached production, its future repeatedly depended on confrontations between James Cameron, producer Gale Anne Hurd, and 20th Century Fox executives. Fox initially estimated that Cameron's script would cost nearly $35 million, while Hurd argued that it could be made for approximately $15.5 million. Chairman Barry Diller offered only $12 million, prompting Cameron and Hurd to quit the project until producer Lawrence Gordon negotiated a better arrangement and brought them back. The more explosive standoff came over Sigourney Weaver's return as Ellen Ripley. Fox feared that Weaver would demand a large salary and believed agreeing too readily would weaken the studio's bargaining position with her agent. Cameron and Hurd insisted that Ripley remain the film's central figure and again walked away, even leaving for their honeymoon while the project was effectively stalled. Weaver initially rejected Fox's offers and had to be persuaded that the sequel was not being mounted solely as a cash grab. Cameron and Hurd ultimately used a calculated bit of leverage: they told Arnold Schwarzenegger's agent that they planned to write Ripley out, knowing the information would reach Weaver's representatives. The negotiation soon ended with Weaver receiving a $1 million salary plus a percentage of the box-office profits, then the highest pay of her career. The dispute helped establish Ripley as the undisputed dramatic center of the sequel and gave Weaver unusual financial participation in a major studio action film.
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