The Amusement Park / George A. Romero / 1970s–2020s
In 1973, between Season of the Witch and The Crazies, George A. Romero accepted the only work-for-hire assignment of his career: a $37,000 educational film commissioned by the Lutheran Service Society of Western Pennsylvania. Rather than making a conventional public-service picture, Romero and screenwriter Wally Cook created an intensely hostile, surreal allegory about ageism. Shot in only three days at the now-defunct West View Park near Pittsburgh, the film turns amusement-park attractions into instruments of humiliation: elderly visitors are cheated, ignored by restaurant staff, treated as unreliable witnesses, rushed through a medical center that resembles a store, displayed in a grotesque “freak show,” and attacked by younger people. Lincoln Maazel plays both a battered old man trapped in the park and the cleaner, optimistic version of himself who keeps entering it, creating a bleak cycle in which society’s mistreatment of the elderly repeats endlessly. Although the Lutheran organization initially used the film, Romero’s widow Suzanne Desrocher-Romero later suspected that its abrasive, nightmarish tone was considered too extreme for the intended educational purpose, and it was soon shelved without a distributor. The film premiered at the American Film Festival in New York in June 1975, but then effectively vanished. For decades even people close to Romero, including Desrocher-Romero, were unaware of its survival, and it was widely regarded as lost. A 16 mm print used in a 2001 Romero retrospective was eventually sent to Romero and Desrocher-Romero in 2017, shortly before his death. The George A. Romero Foundation and New York preservation organization IndieCollect supervised a 4K restoration, which premiered in Pittsburgh on October 12, 2019. Shudder finally gave the film a broad home-media release on June 8, 2021, transforming an obscure rejected public-service project into a rediscovered late work by one of American horror’s major directors.
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