What began as an ambitious, globe‑trotting production announced in January 1978 quickly descended into classic late‑1970s production mayhem. Ashanti was set to be directed by Richard C. Sarafian with a high‑profile ensemble — Michael Caine, Omar Sharif, Peter Ustinov and Telly Savalas — and cameras rolled on location in Kenya in April 1978. Two weeks into principal photography Sarafian was dismissed and the studio installed veteran helmer Richard Fleischer to finish the picture. The turnover did not stop there: early reports show the female lead (variously reported as Beverly Johnson or Beverly Todd in contemporary dispatches) and the film’s cinematographer were sacked and Telly Savalas was forced to drop out, creating a cascade of recasting and crew replacements while the unit was operating far from Hollywood.
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AI concept artworkArchive Record · 1970s
Two Directors, Multiple Walkouts: The Chaotic On-Location Meltdown of Ashanti (1979)
Ashanti (1979 film) / 1970s
What began as an ambitious, globe‑trotting production announced in January 1978 quickly descended into classic late‑1970s production mayhem. Ashanti was set to be directed by Richard C. Sarafian with a high‑profile ensemble — Michael Caine, Omar Sharif, Peter Ustinov and Telly Savalas — and cameras rolled on location in Kenya in April 1978. Two weeks into principal photography Sarafian was dismissed and the studio installed veteran helmer Richard Fleischer to finish the picture. The turnover did not stop there: early reports show the female lead (variously reported as Beverly Johnson or Beverly Todd in contemporary dispatches) and the film’s cinematographer were sacked and Telly Savalas was forced to drop out, creating a cascade of recasting and crew replacements while the unit was operating far from Hollywood.
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