Ron Mann's 1988 documentary about comic-book culture became an unusually chaotic production long before it reached theaters. What began as a modest half-hour project expanded after Mann and producer Don Haig conducted more research and began interviewing dozens of artists, ultimately generating approximately 70 hours of footage. The first rough cut, completed in October 1986, ran four hours; even Haig reportedly fell asleep during its first screening. Mann, editor Steve Weslak, and Robert Kennedy reduced it to three hours, but the film continued to change structurally as Mann repeatedly abandoned proposed chronological arrangements. Weslak later described the editing experience as “very, very, negative,” saying that Mann would reject organizational plans after seeing them assembled. Mann eventually fired Weslak after the third rough cut, and editing continued for another year.
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