Melbourne society doyenne and Vogue Australia founding editor Sheila Scotter publicly asserted that she had a 13‑year relationship with John Truscott and further alleged that Truscott—an Academy Award–winning designer for the 1967 film Camelot—was bisexual and had an affair with actress Vanessa Redgrave while the two were working in proximity on Camelot. Scotter’s claims were sensational in Australia’s arts and social pages: they tied an internationally lauded designer to one of the era’s most notorious political and theatrical personalities (Redgrave) and framed Truscott’s private life in terms of secrecy and contradiction. The allegation has never been corroborated by contemporaneous studio records, letters, or on‑the‑record confirmations from the principals, and it survives largely as later gossip and memoir‑style assertion from Scotter. As such the story has acted more as a persistent, salacious footnote to Truscott’s public legacy than as a provable scandal — a rumor that colored some recollections of his social life but did not alter his professional honors or official record.
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