What began as a relatively high‑budget (for an adult picture) softcore musical shot in June–July 1975 exploded into one of the seedier legal sagas of 1970s exploitation cinema. Although Alice in Wonderland was filmed as a mostly softcore, wide‑shot musical (the producers initially planned hardcore but wound up shooting most sex scenes in wide shots), William Osco later took the film apart. After theatrical release he re‑edited the picture into a hardcore version by inserting explicit penetration footage that had not been part of the original production — including a sequence of Kristine De Bell performing oral sex on Osco himself, footage Osco had filmed. That brazen re‑assembly of material wasn’t just an artistic choice; it became the fulcrum for multiple lawsuits. Cast and crew members, and Kaleidoscope Films (which had provided $250,000–$300,000 for postproduction), sued Osco for unpaid wages and for stealing footage and money. The lawsuits ultimately handed the rights to Kaleidoscope, but not before Osco allegedly had prints stolen so he could redistribute the film without permission. The R‑rated and later hardcore versions circulated on VHS and — decades later — a dual‑version DVD was issued by Subversive Cinema in 2007, but the legal and personal fallout from Osco’s re‑edits and print theft shadowed the picture’s legacy.
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