92 in the Shade was filmed with multiple radically different conclusions, turning its final confrontation into a dispute over the movie’s entire moral and emotional meaning. Thomas McGuane’s original conception reportedly ended with Warren Oates’s character, Nichol Dance, shooting Peter Fonda’s Tom Skelton. Fonda later recalled that Oates disliked the idea of killing him because the two actors had become fond of one another, so they worked through alternative versions of the climax. One filmed ending had the men struggle over the weapon, throw it into the water, and laugh before reconciling; another had Dance shoot Skelton and leave the body in the boat; a third had both men discard the gun and walk ashore without either killing the other. Different versions of the film circulated with different endings, creating an unusually confusing afterlife for a low-budget 1975 drama. Fonda also said he was unhappy with the editing and music and blamed producer Eliot Kastner for losing interest in the project after getting it off the ground. The result was a film whose fractured ending and compromised post-production became part of its reputation, especially after it failed at the box office.
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