What began as a small, late addition on The Conjuring 2 (2016) — Bonnie Aarons was reportedly added to the film during reshoots to play a shapeshifting demonic presence that took the form of a nun — snowballed into one of the most lucrative horror spin-offs of the decade. The character Valak became the centerpiece of The Nun (2018) and returned in The Nun II (2023), spawning extensive merchandising (think licensed costumes, masks, dolls and promotional tie‑ins) as the Conjuring Universe expanded into a major franchise. In August 2023 Aarons filed suit against Warner Bros., New Line Cinema and Scope Productions, alleging breach of contract over a failure to pay her for merchandising sales tied to the Nun character.
The lawsuit thrust a seldom-discussed corner of Hollywood economics into the spotlight: ancillary revenue streams from character likeness and tie‑in goods can eclipse pay for on‑screen performers, and disputes over the contractual language that governs merchandising shares are increasingly common as franchises monetize icons across toys, Halloween retail and global licensing. Aarons’s claim therefore does more than seek personal compensation — it highlighted how a performer who parlayed a brief but indelible appearance into a franchise-defining role can still find herself in conflict with studios over promised profit participation. As of the Wikipedia summary, the suit was publicly filed in August 2023; the case and its outcome drew attention from industry observers as another test of how studios honor (or dispute) the merchandising clauses that surround breakout horror characters.
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