In 1970s San Francisco, filmmaker Arthur Ginsberg turned the relationship of Carel Rowe and Ferd Eggan into an unnervingly intimate experiment in reality filmmaking. Rowe, a filmmaker and erotic-film actress, and Eggan, described in the account as a queer junkie, were planning to marry while also hoping to make an erotic film that could help repay a man whose car Eggan had crashed. Ginsberg, who had obtained one of the first Sony Portapaks in the United States through Video Free America, initially approached them while looking for subjects for a pornographic film. What began as a spontaneous conversation with Carel's former lover Richard expanded into more than 30 hours of footage documenting arguments, jealousy over alleged lovers, confessions, social gatherings, sex, and the couple's increasingly self-conscious preparation for marriage.
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AI concept artworkArchive Record · 1970s
The Wedding Where a Portable Video Camera Became the Third Partner
The Continuing Story of Carel and Ferd / 1970s
In 1970s San Francisco, filmmaker Arthur Ginsberg turned the relationship of Carel Rowe and Ferd Eggan into an unnervingly intimate experiment in reality filmmaking. Rowe, a filmmaker and erotic-film actress, and Eggan, described in the account as a queer junkie, were planning to marry while also hoping to make an erotic film that could help repay a man whose car Eggan had crashed. Ginsberg, who had obtained one of the first Sony Portapaks in the United States through Video Free America, initially approached them while looking for subjects for a pornographic film. What began as a spontaneous conversation with Carel's former lover Richard expanded into more than 30 hours of footage documenting arguments, jealousy over alleged lovers, confessions, social gatherings, sex, and the couple's increasingly self-conscious preparation for marriage.
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