Before Eddie Murphy made Beverly Hills Cop a landmark action comedy, Paramount had nearly transformed it into an entirely different Sylvester Stallone vehicle. Stallone was originally considered for Axel Foley and responded by rewriting the screenplay himself, stripping away the humor and converting the project into a conventional, ultra-macho action film. In his version, Foley became Axel Cobretti, Michael Tandino was rewritten as his brother, Jenny Summers became a love interest, and the character later known as Billy Rosewood—then called Siddons—was killed halfway through the story. Stallone also imagined an operatic finale in which he drove a stolen Lamborghini toward an oncoming freight train in a game of chicken. He later joked that the opening would have resembled the Normandy landing in Saving Private Ryan, despite that film being released years afterward.
Producer Don Simpson and the studio rejected Stallone's direction, reportedly objecting to how much the script centered on the star's physique and action-star persona. Stallone refused to negotiate the rewrite, and he left the project roughly two weeks before filming was scheduled to begin, officially to concentrate on Rhinestone. Eddie Murphy was brought in only two days later, forcing another round of frantic revisions; the shooting draft was reportedly still being extensively rewritten when production began. Murphy felt the existing material was not funny, and his improvisational comic sensibility helped restore the project to its intended tone. The episode had a lasting afterlife: Stallone reused much of his discarded Beverly Hills Cop material for Cobra (1986), including the name Cobretti and the emphasis on stylized, hard-edged action. The film that Paramount finally made cost about $13 million and became the top-grossing American film of 1984, making the abandoned Stallone version one of Hollywood's most consequential near-misses.
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