The most combustible chapter came in post-production. Francis expected to supervise re-shoots and added special effects that the producer demanded, but Sandy Howard ultimately took the edit away and reworked the film himself—adding scenes and effects that altered story beats Francis considered essential (notably the nightmare/roof payoff for Michael Moriarty's character). Outraged by the final cut, Francis refused to be associated with the result and had his name removed; the director credit was replaced with the pseudonym 'Ken Barnett.' The fallout was career-altering: Francis, already disillusioned with low-budget horror, returned to cinematography full-time and never directed another feature despite later offers, going on to win the Academy Award for Best Cinematography for Glory at the 62nd Academy Awards. The film premiered at MIFED on October 29, 1987, toured European cinemas in 1988 and reached U.S. audiences only on home video in February 1989—a muted release befitting a picture whose behind-the-scenes battle became its most enduring story.
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