Michael Sragow's biography Victor Fleming: An American Movie Master offers a pointed rebuttal to Revere's allegation, arguing that the charge was likely born of professional resentment rather than incontrovertible evidence of sympathy for Nazi Germany. Sragow notes that at the time Revere claims Fleming showed anti‑British sentiment he was actually directing Dr. Jekyll and Mr. Hyde (1941), a production that involved a British producer and a cast heavy with British and Commonwealth players — an awkward fact for anyone asserting Fleming's supposed anglophobia. Sragow and others stress the anecdotal nature of the bet story and point out that Revere's knowledge of Fleming was largely limited to their working relationship, undermining the claim's evidentiary weight. The pushback has not produced a smoking‑gun document proving Fleming's politics one way or the other; instead it turned what could have been a career‑ending reputation smear into a contested piece of gossip recorded by historians and biographers alike. The episode remains an unresolved, divisive footnote: it damaged Fleming's posthumous image for some, but careful historians classify the allegation as anecdotal and unproven.
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