In September 1941 George Arliss — by then retired in England after a long Anglo‑American career — was caught up in a very domestic sort of scandal: the British Government charged him with failing to comply with a new requirement to report bank accounts he maintained in the United States and Canada. The episode was not unique to Arliss; fellow dramatist and actor-playwright Noël Coward faced the same charge. Both men insisted they were ignorant of the new reporting law, but ignorance was no shield: they were fined and publicly shamed in a wartime Britain unusually sensitive to foreign currency and financial compliance. For Arliss, who had retreated from a public life of stage and screen into a quieter retirement in Berkshire and then wartime London, the episode was a rare blot on an otherwise staid public image. The affair also highlights how even celebrated cultural figures could be abruptly reduced to scandal by new government regulations and how quickly headlines could turn the respectable into the humiliated during the pressures of war.
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