In 2018 Jason Blum — by then the high-profile CEO of Blumhouse Productions, the micro‑budget horror factory behind Paranormal Activity and The Purge — touched off a public controversy when he explained why no woman had yet directed a Blumhouse theatrical horror release. In an interview he said, bluntly, “there are not a lot of female directors [...] and even less who are inclined to do horror.” The remark immediately circulated on social media and sparked sustained criticism from filmmakers, journalists, and fans who pushed back with lists of accomplished female horror directors who had been overlooked. Blum quickly described his words as “dumb comments” and issued an apology, acknowledging the mistake. The incident became shorthand for a broader debate about gatekeeping and opportunity in genre filmmaking, and it produced a concrete studio response: Blumhouse’s slate soon included Sophia Takal’s Black Christmas (2019) — the company’s first theatrically released film by a female director — and Blum publicly committed to hiring more women, while continuing to face scrutiny over how quickly and thoroughly the company would change entrenched hiring practices.
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