When Bagans opened his Las Vegas 'Haunted Museum' in October 2017 he turned collectible macabre into a public attraction: 33 rooms housing items like Bela Lugosi’s mirror, the notorious Dybbuk box, Peggy the Doll, and Jack Kevorkian’s 'Death Van.' But the collection soon drew scrutiny. Historians and critics raised doubts about the provenance of marquee pieces — the Lugosi mirror and a so‑called Captain Smith mirror were specifically called into question — and the museum instituted a legalistic protection: every guest must sign a waiver indemnifying the institution from 'spiritual or paranormal interactions.' The theater of the supernatural collided with real-world consequence when an exhibit centered on a rocking chair tied to the Devil in Connecticut possession case was briefly shut down on May 27, 2019 after a visitor fainted; the chair was removed from public display and the exhibit reopened on June 7. The museum’s blend of showmanship, legal waivers, and disputed artifacts has become a flashpoint — simultaneously a marketing boon and a lightning rod for skeptics and cultural critics concerned about commodifying tragedy and the lax standards used to attach 'haunt' labels to objects.
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