Best Defense began life as a Dudley Moore vehicle at Paramount, but disastrous preview screenings in 1984 prompted the studio to panic and bolt in star power. With Eddie Murphy riding a career high after 48 Hrs. (1982) and Trading Places (1983), Paramount commissioned reshoots to insert a new Murphy subplot — a last‑minute patch that was almost completely disconnected from Moore's original story. The added material forced the cutting of several scenes central to the original plot and even a filmed sequence in which Moore's Wylie Cooper met Murphy's T.M. Landry was excised from the final cut. The result was a famously disjointed picture: critics trashed it (Metacritic score 29), audiences gave it a lukewarm CinemaScore of “C,” and it sputtered at the box office with a $19.2 million gross. Murphy later acknowledged the debacle on Saturday Night Live, admitting he took the role for the money and calling Best Defense ‘‘a movie that sucked real bad,’’ a public humiliation that contributed — at least in perception at the time — to a temporary hit to his aura as an untouchable box‑office draw. The episode is a textbook example of studio interference and star salvage-reshoots making a bad film worse rather than saving it.
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