The sequel to The Omen became embroiled in a behind-the-scenes power struggle almost immediately. British director Mike Hodges was hired to follow Richard Donner, who was unavailable because he was directing Superman, but Hodges lasted only about four weeks into principal photography. The official explanation given to the press was “artistic differences,” while producer Harvey Bernhard and other production figures accused Hodges of working too slowly and putting the schedule in danger. Bernhard cited one particularly revealing example: Hodges allegedly spent half a day arranging a single shot of young Damien emerging between stone pillars, with a bonfire positioned in the foreground. The producers ultimately replaced him with Don Taylor, a director known for completing pictures efficiently and staying within budget. Taylor reshot portions of Hodges’s material, although some of Hodges’s footage remained in the finished film.
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