During the production of the 1972 television mystery film Goodnight, My Love, first-time director Peter Hyams discovered that star Richard Boone’s fondness for alcohol could become an immediate on-set problem. Hyams later recalled that Boone had been drinking so heavily before his first shot that the crew literally had to prop him up. The situation sounds like a classic Hollywood disaster in the making, but Hyams said Boone’s performance ultimately cut together so effectively that the impairment was not apparent in the finished film. Boone, a veteran actor famous for Have Gun – Will Travel, therefore managed to turn an awkward and potentially career-damaging incident into a piece of behind-the-scenes lore rather than a public scandal. Hyams’s recollection also captures the uneasy tolerance often extended to established male stars: a production could accommodate visibly poor behavior when the actor’s authority and talent were considered indispensable.
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