Production tensions at Buffalo '66 extended well beyond the acting troupe into the camera department and crew. Vincent Gallo dismissed original cinematographer Dick Pope during production — a dramatic move given Pope’s reputation — and, at the suggestion of director Stéphane Sednaoui, hired Lance Acord. Rather than defuse problems, the switch became another flashpoint: Gallo later claimed he designed most of the film’s look himself and described Acord as little more than a “button pusher” who had “never shot a feature film in his life.” Those public disparagements deepened the impression that Gallo ran the shoot with an iron, highly personal hand. The climate of distrust extended to other players: actor Kevin Corrigan reportedly chose to have his name removed from the credits because he did not want to be associated with the production at the time. The cumulative effect was a production notorious for bruised professional egos — a volatile atmosphere that accompanied a modest‑budget indie and became part of its mythos.
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