During the preparation of Paths of Glory, Kirk Douglas and the young Stanley Kubrick collided over the film's ending. Kubrick and screenwriter Jim Thompson had rewritten the screenplay without first informing Douglas, adding a last-minute reprieve in which the soldiers condemned to death would be saved. The change was apparently intended to make the anti-war drama more commercially palatable, but Douglas—who was financing and starring in the picture through his company Bryna Productions—regarded it as a betrayal of the original material. He summoned Kubrick to his room, erupted in anger, hurled the revised script across the room, and delivered an ultimatum: the picture would return to the original ending or it would not be made. Kubrick reportedly did not argue, and the original, uncompromising version was filmed. The finished 1957 film depicted the soldiers' execution as a brutal indictment of military authority, was banned in France until 1976, and ultimately became one of Kubrick's most respected early works. The confrontation also established the unusual power Douglas exercised as both star and producer over one of cinema's future legends.
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