When Francis Ford Coppola's The Godfather hit theaters in 1972 it brought with it one of the most instantly recognizable film themes of modern cinema — and a rare piece of Academy infighting. Composer Nino Rota was initially nominated for the Academy Award for Best Original Score, but the nomination was abruptly rescinded after it emerged that a principal melody in the score had been lifted from a theme Rota himself had written roughly two decades earlier for an Italian picture, Fortunella. The Academy's rules required a score to be substantially original, and the investigation concluded that, despite differences in orchestration and context, the reused material disqualified the score from the category. The vacancy was filled by the score from Sleuth, and the eventual Oscar that year went to Charlie Chaplin and his collaborators for Limelight — a further oddity because Limelight had only just become eligible after being screened in Los Angeles years after its production.
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