Elvis on Tour was supposed to generate more than a concert film. MGM and Parker had planned a companion live soundtrack album, but the recording project collapsed after an overcurrent damaged the audio equipment on the fourth night of the tour. The failure was especially frustrating because the production had already mounted an unusually elaborate technical operation: eleven Eclair cameras, short film rolls, and a tape-deck system designed to synchronize picture and sound across multiple sources. With the recording gear damaged, the filmmakers could still assemble the movie from performances captured in cities including Hampton Roads, Richmond, Jacksonville, Greensboro, and San Antonio, but the planned soundtrack could not be issued alongside the film. No original soundtrack album appeared at the time, and official releases of rehearsal and concert material had to wait until later archival editions issued in 2022, 2023, and 2024.
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