The director's chair became another source of behind-the-scenes drama. According to Jack Garfein, his agent had pitched him to direct The Drowning Pool, and Paul Newman was reportedly receptive. But Stuart Rosenberg personally approached Newman, telling him he was going through serious personal problems and was 'desperate' for the job. Newman ultimately chose Rosenberg, making the film their fourth and final collaboration. The choice was openly mocked in the trade and exhibition world: one film buyer wondered what Rosenberg had 'on Paul Newman' and compared him derisively to Otto Preminger making grade-B pictures, especially after Rosenberg's poorly received WUSA. The resulting film was visually polished but drew mixed reviews and became a financial disappointment in North America, earning only $2.6 million in rentals against a $2.7 million budget before promotional and negative costs. Its stronger foreign performance—about $8 million worldwide—did not erase the perception that the Newman-Rosenberg partnership had ended on a commercial low point.
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