In 2015 Greg H. Sims and his company Vesuvio Entertainment briefly entered the combustible world of hard‑hitting exposés when they signed on to distribute Amy Berg’s documentary An Open Secret — a film that alleges systemic sexual abuse of child actors and implicates figures connected to Hollywood’s party circuits. According to the Wikipedia entry, Sims partnered with Rocky Mountain Pictures to mount a U.S. theatrical rollout but ultimately chose to terminate the overall distribution arrangement. The move exemplifies the fraught life cycle of scandal documentaries: even when filmmakers assemble evidence and festival attention, distribution can dry up under the weight of legal concerns, advertiser pressure, or the fear of industry backlash. Sims’ withdrawal became part of the film’s story — providing a textbook example of how distributors, managers, and middlemen can be forced to weigh commercial risk against a project’s cultural and moral urgency. The documentary did struggle to find a broad theatrical platform afterward, fueling debate about whether powerful cultural institutions protect their own by quietly choking off distribution for films that accuse insiders of criminal behavior.
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