The working relationship between director Sam Peckinpah and Steve McQueen was volatile from the beginning. On the first day of rehearsal in San Marcos, Texas, the pair argued over a creative point until McQueen picked up a bottle of champagne and threw it at the director. Peckinpah saw the bottle coming and ducked, while McQueen laughed at the stunt. The incident was characteristic of a production in which the star and director admired each other but repeatedly clashed over tone, performance and control. Peckinpah's alcohol consumption reportedly increased dramatically while making the film, and he joked that he could not direct when sober. McQueen, meanwhile, contributed heavily to the film's action design, including the idea that Doc should shoot and destroy a police car. Their conflict intensified after Peckinpah learned that McQueen's First Artists contract gave the actor final-cut privileges. Actor Richard Bright later said McQueen selected takes that flattered him, while Peckinpah complained that the star had chosen safe, attractive 'Playboy shots' rather than riskier material. Despite the friction, the film became a major hit and gave Peckinpah the financial reward he had long been denied.
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