When principal photography for One Battle After Another moved to Sacramento on February 3, 2024, the production used high-profile civic locations — including the Sacramento County Administration Building and the Sacramento County Courthouse — and required clearing a nearby homeless encampment to facilitate filming. The simple sentence in production notes — “a homeless encampment was cleared to allow for filming” — belies the kind of instant local controversy that often attaches to big-studio shoots: questions about displacement, municipal cooperation with a lucrative production, and the optics of clearing vulnerable populations to stage a glossy movie set. For a film already steeped in political imagery (the shoot used Ronald Reagan’s former mansion for a white‑supremacist club exterior, an explicit callback to Thomas Pynchon’s Reagan-era obsessions), the Sacramento episode underlined the uneasy intersection of big-budget location filmmaking and local communities in the 2020s.
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