In August 1974 Philippe Petit executed what he and later filmmakers framed as an artist’s ‘heist’ — stringing a high wire between the Twin Towers of New York’s World Trade Center and walking it for almost an hour. The stunt was performed without authorization, involved a close‑knit team of collaborators and an “inside man” (insurance executive Barry Greenhouse is named in the documentary as having assisted), and culminated in a police intervention. The film’s title itself, Man on Wire, comes from the police report generated by the authorities’ response to the event; Petit and his crew were arrested on the spot and subsequently released. One of Petit’s comrades, Jean François, famously defended the action in retrospect: “It may have been illegal...but it wasn't wicked or mean,” a line the 2008 documentary by James Marsh uses to cast the operation as an audacious, morally ambiguous act of urban performance rather than a simple criminal trespass.
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