On 10 July 1959 the Cinémathèque Française suffered a nitrate film fire that destroyed a portion of its collection and intensified long‑standing criticisms of Henri Langlois's laissez‑faire archival methods. Langlois — celebrated for saving vanishing films and building a collection that would mushroom to tens of thousands of titles — was also notorious for his eccentric, sentimental approach to preservation and allegedly poor record keeping. The blaze became a focal point for his critics and played into later official charges of inadequate housing of volatile filmstock when authorities moved against him in 1968. Sources remain conflicted about the precise cause and the full extent of the losses, but the episode stands as a grim reminder of how fragile early film materials were and how Langlois's passionate but unorthodox stewardship both rescued and imperiled cinematic heritage.
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