Walter Hill designed The Driver around stripped-down, nocturnal Los Angeles car chases, but the production’s most difficult sequence nearly collapsed because of a serious on-set accident. The first chase was scheduled for the final night of shooting, and while the crew was working at night, an electrician fell from a roof and was badly injured. The accident disrupted the already compressed schedule and prevented Hill from filming all of the shots he had planned. Rather than abandon the sequence, Hill had to assemble it from the material available, later describing the finished result as something he had been forced to “cobble together.” The director considered that chase a partial failure because it was intended to build toward a more spectacular payoff, in sharp contrast to the Mercedes 250 S garage sequence and the climactic chase, which he felt were fully realized. The incident also reflected the punishing mechanics of the production: Hill shot dramatic scenes during the day and saved the dangerous driving work for repeated overnight sessions, a schedule he said left him exhausted and making decisions almost instinctively. Although no larger curse or supernatural pattern surrounded the film, the rooftop injury became the production’s most serious documented mishap and directly affected the shape of one of its major action set pieces.
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