The Los Angeles production of Fortune and Men's Eyes generated a creative dispute over how far the play could be altered. In 1969, Sal Mineo directed and appeared as Rocky at the Coronet Theatre, with Don Johnson as Smitty and Michael Greer as Queenie. The staging received more critical approval than the controversial early New York production, but Mineo's version included additional scenes that had not been approved by John Herbert. That unauthorized expansion was especially consequential because the play's force depended on its brutally controlled depiction of prison power, sexual coercion, and punishment; adding material changed the boundaries of a work already confronting censorship and public discomfort. The episode illustrates the tension between a producer-director trying to make a provocative play more theatrically effective and an author guarding a deeply personal text based on his own imprisonment. Although the source records no lawsuit or public legal battle, the unapproved additions remain a documented authorship and production conflict surrounding one of Canada's most controversial plays.
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