The production underwent a significant behind-the-scenes rupture only one week after filming began in June 1969. Friedkin fired cinematographer Adam Holender and replaced him with Arthur J. Ornitz, who completed the picture. The change was particularly consequential because The Boys in the Band was a claustrophobic chamber drama: much of its emotional force depended on how the camera navigated a single apartment, moving among faces as alcohol, jealousy, shame, and resentment boiled over during the birthday party. Playwright and producer Mart Crowley later said that he generally got along with Friedkin, but noted that the director lacked the sense of humor Robert Moore had brought to the original stage production. The personnel change, combined with Friedkin’s later regret over cutting Hank and Larry’s kiss, reflected the creative tensions involved in translating an intimate, politically charged play into a mainstream feature.
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