During the 1978–79 shoot of Hal Ashby’s Being There, Peter Sellers reportedly embraced the role of Chance/Chauncey to an extreme degree of method immersion that unnerved and fascinated his co‑stars. Shirley MacLaine later recounted that Sellers “believed he was Chauncey. He never had lunch with me ... He was Chauncey Gardiner the whole shoot, but believing he was having a love affair with me.” The anecdote captures more than eccentricity: Sellers altered routine social boundaries on set, kept a courtly, out‑of‑time persona, and inhabited the film’s uncanny blankness in ways that made normal actorly interaction awkward. The behavior has been recounted in biographies and is dramatized in The Life and Death of Peter Sellers, cementing the tale in Sellers lore as a striking example of a famous comic performer disappearing into a role to the surprise of colleagues and the press.
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