The professional pairing that produced The Blue Angel (1930) became one of Hollywood's most emblematic schisms. Marlene Dietrich, who emigrated to the United States, became an outspoken anti-Nazi activist during World War II — entertaining Allied troops, broadcasting for the Office of Strategic Services, and taking US citizenship — while Emil Jannings remained in Germany, accepting roles in Nazi propaganda films. The political and moral chasm tore their former on-screen partnership into bitter personal contempt: Dietrich publicly despised Jannings for his wartime choices, reportedly calling him a 'ham.' The clash was not mere gossip but a stark example of how the era's politics fractured careers and friendships; after 1945 Jannings faced denazification proceedings and never worked as an actor again, while Dietrich's reputation as a patriotic émigré was burnished by her wartime service.
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