George Armitage wrote Darktown Strutters in an astonishing three days, deliberately composing the entire screenplay as one continuous sentence. He originally intended to direct the film, but withdrew after selling another project, Trophy, which he regarded as a personal labor of love. Director Joe Viola was briefly attached before leaving, and veteran Western filmmaker William Witney—known for his work with Roy Rogers—ultimately took over. The production’s deliberately anarchic spirit became especially apparent during a test screening arranged by producer Gene Corman, where viewers were invited to suggest ways to 'punch up' the movie. Among those attendees was comedian Richard Pryor. Armitage later recalled looking down the aisle roughly three-quarters of the way through the screening and seeing Pryor literally crawling toward the exit so he could leave without attracting attention. Pryor apparently offered no useful notes, but his silent escape became one of the film’s strangest pieces of behind-the-scenes lore. The movie was subsequently routed through Roger Corman’s New World Pictures after its original Tennessee-based production company could not secure a release, then reissued in 1977 under the title Get Down and Boogie. Although initially met with mixed reviews, its surreal combination of biker-gang comedy, KKK caricature, political satire, prostitution melodrama, and cloning nonsense eventually earned it cult status, with Quentin Tarantino later praising it as a 'ridiculous satire.'
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