When Walt Disney cast James Baskett in 1945 as Uncle Remus for the 1946 feature Song of the South, the hire was unprecedented: a Black actor in a leading, non-comic role in a mainstream studio film. The performance — including Baskett's rendition of "Zip-a-Dee-Doo-Dah" — earned near-universal praise from columnists like Hedda Hopper and from Disney himself. Yet the film's content and the realities of Jim Crow collided in a moment of public humiliation that exposed the gulf between Hollywood acclaim and Southern law. Atlanta, Georgia, the city chosen for the film's premiere, was segregated by statute; despite being the movie's star, Baskett was prohibited from attending the Atlanta premiere because of the city's racial ordinances. The incident crystallized broader tensions: Baskett faced criticism from some in the African-American community who called the role demeaning, even as powerful white voices lobbied for him to be honored.
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