Tensions boiled over in 2017 when the Audrey Hepburn Children’s Fund sued Ferrer, accusing him of ‘self‑serving conduct’ related to the handling and monetization of his mother’s memorabilia and legacy. Ferrer struck back with his own suit later that year, alleging trademark infringement and demanding that the charity cease using Audrey Hepburn’s name and image without his authorization. The procedural skirmish took an early turn when Ferrer’s complaint was dismissed in March 2018 for a technical failure — he had not named Luca Dotti as a defendant. The litigation ultimately reached a more substantive juncture in 2019, when a judge ruled in Ferrer’s favor on the core issue: the charity could not exploit Audrey Hepburn’s image without the consent of both Ferrer and Dotti. The ruling publicly validated concerns about who controls a superstar’s posthumous persona, upended the charity’s use of exhibitions and merchandising, and left a lasting legal precedent and reputational scar on a foundation that had been built around the actress’s goodwill.
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