At the center of Summer of Soul’s origin story is a near-mythic archive: roughly 40 hours of multi-camera videotape shot in 1969 by television producer Hal Tulchin at the request of festival host and organizer Tony Lawrence. Tulchin edited excerpts into two one-hour TV specials — one aired on CBS in July 1969 and another on ABC in September 1969 — but the raw masters were boxed up and placed in a basement where they essentially vanished from public view for the next five decades. For years only fragments (notably some Nina Simone performances) resurfaced in other projects, and Tulchin repeatedly tried to interest broadcasters and filmmakers in the material with little success. The story acquired the feel of urban archeology: priceless, era-defining performances by Stevie Wonder, Mahalia Jackson, Sly and the Family Stone and others locked away in a damp vault rather than entered into the cultural record.
Follow the sources
Status and citations are supplied by the archive. AI concept art is an interpretation, not historical evidence.