In 1999 Frederic Raphael — the veteran screenwriter who had been brought in to work with Stanley Kubrick on the screenplay for Eyes Wide Shut — published Eyes Wide Open, a memoir drawn from his own journals that chronicled their collaboration on Kubrick's final film. The book arrived in the fraught cultural moment following Kubrick's death (March 1999) and the theatrical release of Eyes Wide Shut, and it immediately provoked a storm from members of Kubrick’s inner circle. Christiane Kubrick (the director’s widow), producer Jan Harlan and writer Michael Herr publicly criticised Raphael’s account as an unflattering and misleading portrayal of Kubrick, accusing him of airing private moments and reshaping confidences at a time when the director could no longer respond.
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AI concept artworkArchive Record · 1990s
Frederic Raphael's 1999 Memoir Sparks a Posthumous Feud Over Stanley Kubrick's Private World
Frederic Raphael / Eyes Wide Shut / 1990s
In 1999 Frederic Raphael — the veteran screenwriter who had been brought in to work with Stanley Kubrick on the screenplay for Eyes Wide Shut — published Eyes Wide Open, a memoir drawn from his own journals that chronicled their collaboration on Kubrick's final film. The book arrived in the fraught cultural moment following Kubrick's death (March 1999) and the theatrical release of Eyes Wide Shut, and it immediately provoked a storm from members of Kubrick’s inner circle. Christiane Kubrick (the director’s widow), producer Jan Harlan and writer Michael Herr publicly criticised Raphael’s account as an unflattering and misleading portrayal of Kubrick, accusing him of airing private moments and reshaping confidences at a time when the director could no longer respond.
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