Blue Water, White Death began as an obsessive hunt in 1971 to capture the great white on film and rapidly evolved into one of the more hair-raising production sagas of the era. Director-producer Peter Gimbel assembled a specialist crew — including veteran shark authorities such as Rodney Fox and underwater cameramen like Ron and Valerie Taylor, with young Tom Chapin serving as an assistant camera operator — and followed a trail of shark activity from a whaler (the Terrier VIII) off South Africa up along Mozambique, Madagascar and the Comoros, then across to Sri Lanka, before returning to Durban. After long nights of underwater lights that flickered out, the use of electric prods and even brief experiments with cageless diving left the crew shaken and divided about safety. Still hungry for the definitive great-white footage, they finally voyaged to Dangerous Reef off South Australia, a locale known for dense populations of white sharks and sea lions.
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