In the early 1910s, as Winsor McCay was laboring on his landmark animated attraction Gertie the Dinosaur (debuting 1914), John Randolph Bray — already an enterprising cartoonist turned studio head — visited McCay claiming he was merely a journalist interested in the new art form. According to contemporaneous accounts, McCay, unusually open and generous about his techniques, walked Bray through the nuts and bolts of his methods. Bray, who was simultaneously pioneering an assembly-line, industrial approach to cartoon production in his own New York-area studio, proceeded to patent a number of techniques he had observed. The revelations did not stay private: the episode led to litigation between the two men as McCay fought to protect what he regarded as his creative methods. The legal dust-up ended with McCay prevailing and receiving royalties from Bray for several years afterward, a rare court victory for an individual artist against a budding studio industrialist in the fledgling animation business.
Follow the sources
Status and citations are supplied by the archive. AI concept art is an interpretation, not historical evidence.