Two decades after the original, Hardware Wars became the locus of a small but telling artistic spat about authenticity and remediation. In 1997 a new "Special Edition" of the short was released with added digital effects — a conceit meant to lampoon the Special Editions of the original Star Wars films — but Fosselius objected to the idea of digitally augmenting a satire whose joke depended on visible artifice. He refused to take part in the rework and insisted that the release carry a “Not Approved by Ernie” label. The disagreement underscored a real creative fissure between a filmmaker protective of his handmade aesthetic and the market pressure to modernize archival material for new home‑video formats. Fosselius later returned to supervise a proper restoration: in 2002 he helped produce a DVD of Hardware Wars in its original form, restoring the stereo soundtrack, adding outtakes and recording a deliberately self‑mocking director’s commentary. Along the way Fosselius also complained that technicians involved in telecine transfers tried to ‘‘clean up’’ apparent defects — attempts he said removed deliberate visible strings and wires — a claim that has been circulated in interviews and notes about the releases but remains incompletely documented. The episode is a compact example of how technological updates, rights‑holders and the creator’s intent can collide when cult works are reissued.
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