While a student at France's prestigious IDHEC in 1968, Stephen Ujlaki moved in the same radical cinematic orbit as Jean‑Luc Godard (he even landed an informal internship with Godard) and was producing work that intersected with the era's political ferment — Wheel of Ashes (1968) among them. The explosive student and worker uprisings of May 1968 did not spare foreign film students: Ujlaki was arrested in the chaos, detained at Paris's notorious La Santé Prison and subsequently deported from France. The immediate fallout was brutal and practical — exile meant abandoning projects and networks in Paris and a forced relocation to Stockholm, where he attended rehearsals for Ingmar Bergman's production of Woyzeck, worked part‑time as a dockworker, and pivoted into making Tunnelbana (1969). This abrupt rupture demonstrates how the political convulsions of 1968 could derail nascent international film careers and scatter an entire generation of European‑trained young filmmakers into new, improvised trajectories.
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