By the middle of the 1930s, Fleischer Studios was operating at extraordinary speed, producing Betty Boop, Popeye, Screen Songs, and Color Classics—roughly 52 releases a year for Paramount. The demand created crowded working conditions and mounting pressure on the animators and other employees. In May 1937, labor unrest erupted into a strike that lasted five months. The dispute had a direct commercial consequence: a boycott kept Fleischer releases from appearing on theater screens until November, placing additional strain on a studio already struggling to meet Paramount's production demands. Max Fleischer, who had cultivated a paternal relationship with his staff, reportedly took the rebellion personally and developed an ulcer during the conflict. Afterward, Max and his brother Dave decided that the New York operation needed to be moved to a larger facility and away from what they viewed as continuing labor agitation. The relocation to Miami, Florida, however, did not restore the studio's stability; instead, the pressures of expansion, feature production, and family conflict accelerated the company's decline.
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