The film’s ecstatic critical reception did not quell a fierce backlash from a cluster of revisionist critics and commentators who accused Attenborough’s picture of turning Gandhi into an untouchable saint and of papering over uncomfortable historical complexities. In 1983 Richard Grenier published a high‑profile critique — first as an article and then as a book entitled The Gandhi Nobody Knows — arguing that the movie was hagiography, that important figures (notably Muhammad Ali Jinnah) were misrepresented, and that the Indian government had quietly subsidised a large portion of the budget. Grenier’s piece fed a broader countercurrent: historians such as Lawrence James called the film “pure hagiography,” anthropologist Akhil Gupta criticized its superficial historical interpretation, and Patrick French later pointed to specific distortions (like the rail incident). Grenier’s allegation about government financing was not conjured from thin air — the NFDC’s early contribution is a documented fact — but his polemical framing helped spark a string of books and essays (including G. B. Singh’s skeptical works) that turned Attenborough’s biography into a contested battleground. The controversy lingered beyond awards season: it reframed debates about biopic responsibility, national memory, and who gets to authorize a public image of a global political saint.
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